Pavilion of the Western Sahara – Venice Architecture Biennale 2016

Exhibition

May 28 – November 27, 2016

Architecture Biennale – La Biennale di Venezia

See the website of the Pavilion here: www.western-sahara-pavilion.org

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African Modernism – Architecture of Independence

Exhibition and Book

Book authored by Manuel Hertz Architects and published by Park Books, Zurich

Order the book at Park Books, at your local book store or on Amazon

Exhibition Tour:

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2015 Chicago Architecture Biennial: The State of the Art of Architecture

October 3, 2015 – January 3, 2016

Group Exhibition

2015 Chicago Architecture Biennial

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Yekaterinburg – Moscow Biennale 2015

Nadezhda / Hope. Russian Industrial Cities Artistically Explored

Group Exhibition, part of Moscow Biennale of Contemporary Art

September 23 – October 31, 2015

Trekhgornaya Manufaktura, Moscow, Russia

 

In a region with a midnight sun and just two real hours of nighttime, there’s a certain soviet strangeness that lurks over the city. It took about three days before we could actually pronounce Y-e-k-a-t-e-r-i-n-b-u-r-g and a few more than that to wrap our heads around the city known as an open-air museum for constructivist architecture, a destination for mayonnaise production and place that houses the QWERTY Monument (Russia’s weirdest attraction) of a big white stone keyboard that rises from the earth.

In the Central Park of Culture and Leisure, children with Spider Man painted faces play hide-and-seek between Soviet-era statues and other crumbling ideological relics. Along the Iset River, costumed dance troupes occupy concrete jetties where they salsa and swing, offering a sampling of the creative prowess which the nation has offered the world over the years. Along the lively Lenina Avenue, in the tractor-shaped House of Communications, elderly ladies sort supermarket stamps, while their husbands sift through stacks of compact discs and DVDs.

The constructivist architecture was based on repetition: Designs that could be easily duplicated. Paired back, symmetrical and straight. Beauty, a thing of the past.

Yet today, to live in a constructivist building has become a thing of fashion amongst the Generation Y of E-burg. The most ideological form of architecture, now a symbol of Williamsburg-cool.

Constructivism was an artistic and architectural philosophy that was born in Russia in 1919. A time when the Tsarist autocracy was dismantled and the rise of the Soviet Union began, throughout the 1920’s, the Constructivists developed radical new forms of architecture, graphic design, film and photography. Constructivists rejected the idea of art being autonomous from the rest of society: to them, all art and design was a political tool. (The Russian Constructivists, October 2013)

Today, there is an eerie contradiction that lurks throughout Yekaterinburg’s constructivist buildings. On one hand, I could feel the sense of urgency that was in the construction of the buildings. The intention of control and confinement that the architecture was intended for, the lack of beauty, the monotone colours, the paired back, egalitarian aesthetic of the towers, homes, public spaces. The lack of freedom was also there too: homes and schools built in large complexes adjacent to the factories and offices so one would never have to leave their complex. Inhabitants didn’t even have to go outdoors as their homes were connected to a series of intertwined corridors or tunnels to the adjacent factories where they worked.

Yet today, there is an open lightness, a happiness in the city, where the buildings that were created under the umbrella of the most ideological form of architecture now offer a new sense of future-forwardness to a country still in transition.

Saving Place: 50 years of New York City landmarks

April 21, 2015 – January 3, 2016

Group Exhibition

Museum of the City of New York

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Constructing Worlds: Photography and Architecture in the Modern Age – Barbican, London

25 September 2014 – 11 January 2015

Group Exhibition

Barbican, London

Since the very first photograph, architecture has proved to be an enduring subject matter for photographers. Constructing Worlds looks beyond the medium’s ability to simply document the built world and explores the power of photography to reveal wider truths about society. The exhibition brings together 250 works – some rarely seen and many shown in the UK for the first time – by 18 leading photographers from the 1930s to now, who have changed the way we view architecture and think about the world in which we live.

Barbican, London

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