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Taipei Performing Arts Center TPAC – OMA

Taipei Performing Arts Center TPAC – OMA

2024

Located at Taipei’s Shilin Night Market marked by its vibrant street culture, Taipei Performing Arts Center is architecture in limbo: specific yet flexible, undisrupted yet public, iconic without being conceived as such. Three theaters plugged into a central cube allow performing spaces to be coupled for new theatrical possibilities. The cube is lifted off the ground for a Public Loop to extend the street life of Taipei into the theater. New internal possibilities and connections of the theater generate different relationships between producers, spectators, and the public, also a critical mass that works as a fresh, intelligent icon.

The central cube consolidates the stages, back stages, support spaces of the three theaters, and the public spaces for spectators into a single and efficient whole. The theaters can be modified or merged for unsuspected scenarios and uses. The spherical 800-seat Globe Playhouse, with an inner and an outer shell, resembles a planet docking against the cube. Intersection between the inner shell and the cube forms a unique proscenium for experimentation with stage framing. Between the two layers of shells is the circulation space that brings visitors to the auditorium. The Grand Theater, slightly asymmetrical in shape and defying the standard shoebox design, is a 1500-seat theater space for different performing arts genres. Opposite to it and on the same level is the 800-seat Blue Box for the most experimental performances. When coupled, the two theaters become the Super Theater—a massive space with factory quality that can accommodate productions that are otherwise only possible in found spaces. New possibilities of theater configurations and stage settings inspire productions in unimagined and spontaneous forms.

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Tags:

  • Arts Center,
  • OMA,
  • Taipei,
  • Taiwan,
  • and theater

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Iwan Baan Photography, Rozenstraat 145, 1016 NP Amsterdam, The Netherlands, e-mail: studio@iwan.com — all images © Iwan Baan 1996 - 2025