‘We Wanted Stonehenge’: How Philanthropists Cathy and Peter Halstead Built a Sprawling Sculpture Park in the Montana Wilderness
Imagine this: you’re in a cozy music venue enjoying live recitals by some of the world’s greatest virtuosos. As you find yourself entranced by the sonatas of Mozart, Lizst and Haydn, a large Alexander Calder mobile, Stainless Stealer (1966), on loan from the Hirshhorn Museum, hangs above. Two Stephen Talasnik wall sculptures, Archaeology (2012) and Galaxy (2014), flank the stage.